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A visual interpretation of the novel’s opening setting
P33 / VOLUME 1 / The Gavel

The Other Witness

He is not lying. Yet the crime he describes does not belong to this world. His testimony is precise, coherent, sustained by a conviction no contradiction can dissolve. For Maud Delmas, Luc Varenne, and Adrien Charras, it opens a case in which they might believe a person without being able to accept what he claims.

The GavelThe Gavel / APODYOPSIS
BEYOND THE COVER

The Other Witness

The novel’s colors become a space.

Enter the setting

THE OPENING PAGES / AN EVOCATION

Spaces imagined from the opening pages. Each setting leads back to its book.

THE BOOK / THE CYCLE

50 chapters

S / Reading
ON THE OTHER SIDE OF YOUR JOURNEY

Something
remained.

You followed a presence, crossed a place, looked at an object. The stories kept their place. Your visit left another trace.

“A life remembered.
A present we choose.”

Write down my first impression ↗Return to my traces ↗
A letter from the visual experience, saved on this device.
The Other Witness — APODYOPSIS