APODYOPSIS
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A visual interpretation of the novel’s opening setting
P40 / VOLUME 1 / The Ticket

The Woman on the Train

Every morning, the train passes the family she lost in another life. Mara Keane recognizes a house, gestures, an intimacy she believes she once shared. Through the train window, the people she loves seem to carry on without her. Here, though, she has never had a place in their family.

THE OPENING PAGES ↗The story’s archive ↓
The TicketThe Ticket / APODYOPSIS
BEYOND THE COVER

The Woman on the Train

The novel’s colors become a space.

Enter the setting

THE OPENING PAGES / AN EVOCATION
Décor d’évocation de The Woman on the TrainA SPACE TO EXPLOREThe Woman on the TrainLOOK CLOSER ↗

Spaces imagined from the opening pages. Each setting leads back to its book.

THE BOOK / THE CYCLE

50 chapters

OPEN THE EXCERPT ↗CHARACTERS AND STORY CONNECTIONS ↗
S / Reading
ON THE OTHER SIDE OF YOUR JOURNEY

Something
remained.

You followed a presence, crossed a place, looked at an object. The stories kept their place. Your visit left another trace.

“A life remembered.
A present we choose.”

Write down my first impression ↗Return to my traces ↗
A letter from the visual experience, saved on this device.The Woman on the Train — APODYOPSIS