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A visual interpretation of the novel’s opening setting
P70 / VOLUME 1 / The Pomegranate

The Country Without War

Nadim describes a Syria where the war never happened. The man questioning him recognizes the details. In Hamburg, Nadim Darwish must recount a life that does not fit the accepted history. The places are familiar, the dates diverge, and his memories refuse to fit the available categories. His account could pass for invention—if parts of it did not also disturb the man listening.

The PomegranateThe Pomegranate / APODYOPSIS
BEYOND THE COVER

The Country Without War

The novel’s colors become a space.

Enter the setting

THE OPENING PAGES / AN EVOCATION

Spaces imagined from the opening pages. Each setting leads back to its book.

THE BOOK / THE CYCLE

37 chapters

S / Reading
ON THE OTHER SIDE OF YOUR JOURNEY

Something
remained.

You followed a presence, crossed a place, looked at an object. The stories kept their place. Your visit left another trace.

“A life remembered.
A present we choose.”

Write down my first impression ↗Return to my traces ↗
A letter from the visual experience, saved on this device.
The Country Without War — APODYOPSIS