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A visual interpretation of the novel’s opening setting
P85 / VOLUME 3 / The Armchair

The Missing Woman from the Agency

Marianne wants her brother’s address. In this life, she has no brother. Rémanence has set its boundaries: preserve first accounts, verify facts, never mistake a memory for permission to make contact. Marianne Rivière’s request tests every one of them. For Maud Valette and Hugo Néri, finding a lead is only the beginning of the problem.

The ArmchairThe Armchair / APODYOPSIS
BEYOND THE COVER

The Missing Woman from the Agency

The novel’s colors become a space.

Enter the setting

THE OPENING PAGES / AN EVOCATION

Spaces imagined from the opening pages. Each setting leads back to its book.

THE BOOK / THE CYCLE

53 chapters

S / Reading
ON THE OTHER SIDE OF YOUR JOURNEY

Something
remained.

You followed a presence, crossed a place, looked at an object. The stories kept their place. Your visit left another trace.

“A life remembered.
A present we choose.”

Write down my first impression ↗Return to my traces ↗
A letter from the visual experience, saved on this device.
The Missing Woman from the Agency — APODYOPSIS